But maybe the best descriptor is this: radical.
Three decades on, with the country engaged in a fresh reckoning with racial hierarchies, Houston’s performance feels just as inspiring as it must have been in 1991.
To understand the significance of Houston’s performance, reflect on Tony Kushner’s masterpiece, “Angels in America,” which premiered the same year. One scene exquisitely captures Black Americans’ frequently skeptical stance toward the US.
“I hate this country. It’s just big ideas and stories and people dying and people like you,” says Belize, a Black ex-drag queen. “The White cracker who wrote the national anthem knew what he was doing. He set the word ‘free’ to a note so high, nobody can reach it.”
Houston reached it, though. In fact, she did something more: She made “free” the emotional centerpiece of the song. Decades later, when people think back to what was so viscerally moving about Houston’s rendition of the anthem, they invariably land on that word, on how she stretched and nourished it over multiple counts.
In putting an often-imitated-but-never-duplicated flourish on “free,” the singer injected new life into a concept that’s always been kept just beyond Black Americans’ reach.
“It was…
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