Onyeka Onwenu: How she fell in love at 13

Onyeka Onwenu: How she fell in love at 13

VANGUARD

Legendary singer Onyeka Onwenu died last Tuesday moments after an amazing
musical performance at the 80th birthday party of Stella Okoli, founder of Emzor Pharmaceutical Manufacturing Company did not give any indication that that would be her last performance.

She was simply elegant as she entertained the guests with her evergreen songs. She was said to have slumped in her seat afterwards and was rushed to the hospital where doctors battled in vain to revive her. The 72-year-old queen of songs, in her autobiography titled “My Father’s Daughter”, which she released in 2020 recounted her journey into the world of music. She also spoke about controversies surrounding her and how she fell in love at the age of 13.

In her memoir, Onyeka Onwenu first revealed how her music life started: “ I was holidaying in Chicago with my cousin, Godfrey DanChimah who was married to Sonny Okosun’s sister-in-law, Ada. One day, Sonny called their house and I picked the phone. We got talking and I told him that I was interested in professional music.

“He asked for a demo tape, which I sent to him , it was my cover of “Mack the Knife” by Bobby Darin. He liked it , but warned that jazz may not sell well in Nigeria.

”Towards the end of my stay at the United Nations, another Nigerian artiste came calling. Dora Ifudu’s song, “Ada” was making waves around the country, I wanted to find out from her what it was like being a female musician in Nigeria.

“Dora gave me a history of her struggles in the industry, she talked about criticisms and unwarranted attacks by the press and the difficulty of controlling one’s productions and demanding higher value for work. I was not discouraged. With my media skills, I had something else to fall back on, if music failed. I just wanted to follow my passion.

“ Once in Nigeria, I contacted Sonny Okosun and we began planning my debut album. I was fresh and had no clue about contracts on how the Nigerian music industry worked. Sonny took all the decisions for me. He selected the songs. However, I brought my own interpretation and twist to them. Even before a contract with the recording company, EMI, Nigeria, was presented to me, we had begun recording the album with his band at the EMI studios in Lagos. There was excitement in the air about a new singer , which was me.

“In those days, making music was done with the whole band playing the song and everything recorded at the same time. If there was a mistake, we started all over again.

“Once Sonny Okosun , the producer felt satisfied with the basic work we had done in Lagos, off we went to London for post-production at Abby Roads Studios of EMI International, which was made famous by the Beatles.”

Recounting further, Onyeka Onwenu narrated how Sonny Okosun punished her for turning him down.
“In London, , we drove straight to the hotel, where we would be staying. I waited to be checked into my room by Charles Okosun, my designated manger and Sonny Okosun’s brother but he led me into Sonny’s room, where my bags had been placed. I immediately asked for my own room or there would be no recording.

“ Being a novice, I was not privy to the financial arrangement that Sonny Okosun had made on my behalf with EMI. I did not have a lawyer or anyone to advise me. On the London trip, I brought along some money for myself, which I relied on when Sonny Okosun decided to punish me for turning him down. I paid for all my expenses on the trip.

“When we completed the recording, with an overlay of the lead and backing vocals, and live guitar work, we mixed and mastered the sound. We also shot the videos of all six songs on the album. With a group of dancers and a small studio audience, no rehearsals, just passion for making music, we delivered a good performance. Everyone was happy, including Sonny Okosun. He had maintained a hostile attitude towards me and only communicated through his brother , who was my manager.

“ In 1981, I released my first album, “Endless Life”. Although it was a remake of Sunny Okosun’s previously released works like “Help” and “Kenelum Jehova”, I brought my own interpretation to the songs. I added a cover of “Walk Right Back” by the Everly Brothers and Nigerians were introduced to the singing reporter, as Chinua Achebe had called me. Having made a small name, as a TV journalist, it was not surprising that my musical career took off aided by my popularity on television.

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