Bret Easton Ellis is characteristically blunt about the central theme of all his work — in his words: “the rich, and how fucked up they are.”
His latest novel, The Shards, sees him revisit Buckley, the posh high school he attended in the early 1980s.
“It is a privileged set of characters. I write about the rich and I always have,” he told AFP during a visit to Paris.
“We were much more privileged than I ever thought when I was younger. The first time we began to get some acne, boom: expensive dermatologist. In Beverly Hills none of my friends had acne,” he said.
But Ellis’s family life disabused him of any romantic notion of wealth.
“My father (property developer Robert Ellis) was a rich asshole. My pleasure in whatever status I might have had — that was ruined by him. So I always looked at wealth in a suspicious way.”
This has colored all his work, from the drugged-out alienation of his debut “Less Than Zero”, published when he was just 21, to the murderous fantasies of Wall Street maniac Patrick Bateman in American Psycho.
‘Open and vulnerable’
Despite completing his first novel at 14, it took Ellis many decades to write directly about his school years as a closeted gay teen.
“I could not have written this book at 18 because I was too cool. I posed. I was not open and vulnerable in my fiction in the way that I am now.”
The urge came as a surprise.
“Why were they coming back to me at 56, 57? Why was I thinking about my girlfriend — my poor girlfriend — the boys I was with, their beautiful bodies, teenage sex, adolescent passion — why was it coming back to me now?”
Ellis became obsessed with these memories during the pandemic lockdowns. He searched for signs of his old friends and haunts online, only to find they had “vanished”.
